Though Michael B. Jordan was the breakout star of Creed as Apollo Creed’s rip-snorting fighter son Adonis, Sylvester Stallone got the best material (and the Oscar nomination). His arc saw aging boxer Rocky Balboa coping with non-Hodgkin’s lymphoma, mourning the loss of his friends and loved ones, and ultimately confronting his own mortality. It was meaty stuff, ending on a note of hope and rehabilitation as Rocky scaled the famed Philly steps once again, a bit worse for wear but still tough as nails. Stallone recently spoke out about his plans for the character in the impending Creed sequel, and with Rocky’s health back on the upswing, it looks like the Italian Stallion may have some fight left in him.
Just yesterday, we noted the release of a new trailer for the upcoming re-adaptation of Stephen King’s seminal killer-clown novel It. Things seemed pretty normal, at first brush: terrified kids, children’s entertainer straight out of your worst nightmares, eerie red balloon, the whole nine yards. But sharp-eyed viewers have now noted a little Easter egg squirreled away for a split-second in one shot near the end of the trailer. Don’t blink or you’ll miss it, “it” referring in this instance to “IT.”
With the arrival of San Diego Comic-Con last week, the major announcements started flying fast and furious. After the avalanche of release date announcements, trailer releases, and other first-look headline-generators, the news broke that the gears of progress had begun turning for James Bond’s next cinematic outing. The official Twitter account posted that the still-untitled James Bond 25 would hit American theaters on November 8, 2019 after an earlier release in the United Kingdom and elsewhere, and also presumably after shiploads of online pirates have gotten their mitts on it. Americans do not tend to take delayed release dates lying down.
Rough day to be Ben Affleck, the kind of day that makes you just wanna get away from it all by sneaking into your car and having a quick sad-vape. His performance as Batman has begun to emerge the fanbase’s most-loathed, and to add insult to injury, he was ousted from the director’s chair on upcoming solo film The Batman. Now, even more insult has been added to that injury, as replacement director Matt Reeves has begun to clean house and get himself comfy in a new franchise.
The world approaches a great cataclysm in the latest trailer for the upcoming adaptation of Stephen King’s fantasy novel The Dark Tower, but the specific nature of that cosmic upheaval, I know not what. Not having read the source novel, I’ve decided to go into the film cold when it premieres on August 4, and so far, I’ve done a pretty solid job of keeping myself unsullied by plot revelations. The new international trailer does me a favor, too, by playing all of its details of plot close to the vest. There’s a whole lot of ominous talking, stars Idris Elba and Matthew McConaughey appear to have some manner of beef that could decide the fate of the known universe, but beyond that, I’m in the dark (tower).
As The Conjuring’s demonically possessed plaything Annabelle gains in popularity, it’s in murder-doll Chucky’s best interest to get back in the public eye and remind us of who’s the real top dog. Maybe Annabelle’s been stronger at the box-office as of late, but put the two toys mano-a-plastic-mano? Not even a fair fight. Chucky’s simply more sadistic; he really and truly hates people and loves killing them. That quality of violence alone sets his tiny head and tiny shoulders above the rest. In case anyone needed a refresher, we now have the Cult of Chucky trailer.
The news that Ron Howard would take the directorial reins on Han Solo from Chris Miller and Phil Lord was met with a mixed reception by the ardent Star Wars fanbase. Some remembered Howard as the director behind Apollo 13, a movie partially set in outer space (the same location as much of Han Solo, presumably!), and figured he’d be right for the job. Others had fresher recollections of Ron Howard’s Inferno, a.k.a. Bad Tom Hanks Hairpiece 3, and expressed some misgivings. But today, one ardent supporter of Howard‘s has made a statement from the shadows on why he’s a perfect fit for the franchise, though he may have some rubbery, alien skin in the game.
If you’ve made use of the internet in the past week, then you may very well be aware of a recent personnel change-up on the set of the gestating Han Solo spinoff film. Original directors Phil Lord and Chris Miller are out, Ron Howard’s in, but as with most showbiz behind-the-scenes drama, the details have been kept under wraps. That is, until The Hollywood Reporter ran an illuminating new item this morning, getting the dish on what really drove the two filmmakers away from this project. The catch-all code word of “creative differences” does not even come close to doing justice to the antipathy between the Lord-Miller brain trust and Lucasfilm.
Denis Villeneuve’s getting ready to tie a ribbon on Blade Runner 2049. The French filmmaker behind Arrival told Entertainment Weekly that “we are running towards the finishing line right now” on the production due for release October 6, and added that “we are elated. It feels like Christmas as we look at the completed shots.” But directors of generously budgeted studio projects have to say that, nonspecific positivity is pretty much written right into their contracts. Footage, however, cannot lie, and so it’s enticing news indeed that Villeneuve’s little exclusive with EW comes packaged with a new featurette including fresh frames from the hotly anticipated sequel.
The people cannot get enough Batman. He’s everywhere: he fought Superman, now he’s in the Justice League, soon he’ll return to another solo movie, and he ended up back in the news due to Adam West’s passing — we’re living in the Batman-est of all possible worlds. And those Batmaniacs clamoring for more time with the Caped Crusader before he returns in Justice League on November 17 are in luck, because Bruce Wayne and a couple familiar friends will storm nationwide theaters for a special one-night engagement this summer.
Today marks the one-year mark until we get the sequel to the 2015 box-office-crusher Jurassic World, and Universal wanted to do something special to commemorate the occasion. Now look down at that glass of water you've got close at hand. Tiny ripples in the center, a distant thunderous thudding in the distance. New information is close at hand.
In a few short weeks, the general public will get to lay eyes on Edgar Wright’s latest film Baby Driver, which, as has been made clear multiple times elsewhere on this very web site, is absurdly good. Like, unaccountably good. How is the movie so good? Explain yourself, Wright! While he has not yet owned up to whatever dark sorcery made his new film such a blast, Wright has been discussing plenty of other matters as he’s made the rounds on the interview circuit in support of Baby Driver. And the folks at Movie Web wanted the answer to one question in specific: where’s the man stand on sequels?
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