Did you know that they apparently made another Terminator movie in 2015? Despite having seen it in theaters back during its original run, this still strikes me as new, hard-to-believe information. If there was really a new installment of Arnold Schwarzenegger’s popular sci-fi/action franchise as recently as two years ago, wouldn’t someone remember that? Wikipedia claims that the film (subtitled Genisys, which sounds fake but okay) attempted to launch Game of Thrones star Emilia Clarke’s big-screen phase of her career, included a clutch starring role from Ahnuld himself, and earned the second-most of any entry in the series. Call me crazy, but that seems like a pretty major occurrence to have entirely fled the public‘s collective pop-cultural memory. I’m skeptical — does this look like a real movie to you?
Keeping the series of films featuring or tangentially related to the X-Men straight has become a task on par with reading Bleak House. The original three films from the 2000s were their own thing, at first independent of the rebooted X-Men: First Class set in the past. But they were then woven into the “present” with Days of Future Past and Apocalypse, which happen to be set in both timelines and physical dimensions. All this operates separately from Logan and Wolverine’s other solo films, and while Deadpool technically is set in the main universe, it can’t really bring in any of the major pre-existing characters due to intellectual property complications, so it might as well be an isolated entity as well. It’s a lot to keep track of, to put it mildly.
Ever since the now-infamous photo of Pennywise the evil homicidal clown peeking out of a drainpipe surfaced online, fans of Stephen King’s seminal horror novel It have been concerned about Seth Graeme-Smith‘s upcoming film adaptation. There was fair cause for worry, too; it looked as if light was coming from several different sources, like a hasty photoshop job one might find on the box art for some direct-to-DVD cash grab. The only person who could really set the It devotees at ease would be Stephen King, who has seen dozens upon dozens of his works make the jump to the silver screen. And it would appear that he’s now done just that.
At 79 years old, Ridley Scott’s nearing the age register where movie lovers start to respectfully confer in quiet tones about how many features the director‘s got left in him. The acclaimed filmmaker behind two dozen beloved projects has no intention of slowing down in the near future, however. As if in direct response to those who may question his continued abilities as a filmmaker, Ridley has defiantly responded that he’ll stop making movies when he’s dead, and that he doesn’t plan on dying any time soon, and that he hopes you like the new Alien movie because he’s just getting started.
Zack Snyder made a lot of enemies with Batman v Superman: Dawn of Justice, but critical dressing-down and scattered fan backlash won’t stop him. To quote esteemed post-structural thinker Missy ‘Misdemeanor’ Elliott: to those of you who hated, you only made Zack Snyder more creative. The director has redoubled his efforts as he continues work on the post-production process for the Justice League movie due November 17. They wrapped shooting back in October, so all that’s left is the time-consuming and often tedious process of digitally piecing the film together in the editing suite. But ever the barker for his corner of the D.C. universe, Snyder has offered his many supporters a glimpse into the in-progress cut that he’s toying with at present.
With every new studio release, Ridley Scott likes to remind us all of his background in advertising. The director behind the canonized “Nineteen Eighty-Four” Macintosh commercial tends to mount an inventive promotional campaign for each of his motion picture efforts — both Prometheus and The Martian showed off their elaborate, space-ready production design through early faux-featurettes, and Scott has pulled the same move today. This morning saw the release of a “prologue” video titled “The Last Supper” in relation to the upcoming sequel Alien: Covenant, and while it gives viewers a chance to familiarize themselves with the crew of a major interstellar colonization effort, it’s also a chilling bait-and-switch unto itself.
It is usually to humankind‘s advantage that the flame of hope is not easily extinguished. When the pursuit of a lofty ideal grows difficult, the unshakable bedrock of hope has provided the righteous with strength and fortitude. But hope can also be a heartbreaker, constantly teasing us with the faint chance of achieving an impossible dream. Up until today, fans were able to cling to the possibility of a third installment of Guillermo Del Toro‘s Hellboy franchise, however remote. But the director took to Twitter earlier today to deliver the sad news that we may now finally abandon hope — it ain’t happening.
[Taylor Swift voice] John Carpenter never goes out of style. The master filmmaker influenced a generation of movie nerds with his hyper-competent, crowd-pleasing genre pictures such as Halloween, The Thing, and They Live. His fingerprints are all over the modern horror canon, with his synths-and-neon aesthetic informing everything from Stranger Things to the widely under-appreciated The Guest. The latest film to kowtow to the Carpenter’s far-reaching legacy is The Void, a new chiller than many readily compared to The Thing when it debuted at Texas’ Fantastic Fest last fall. And with a new trailer available today, viewers can start to judge that for themselves.
We‘ve still got months to go until Star Wars: The Last Jedi takes over cineplexes, but the people are hungry. By this time last year, we had already gotten our first teaser for Rogue One, and the barbarians are pounding on the gates demanding fresh material. Sure, Lucasfilm could placate their more rabid fans by pulling back the curtain on one of the new toy lines that will accompany the December release, but that’s thinking small, and Lucasfilm doesn’t do small. You want to see the new toys? Well tough tauntauns, because all you’re getting today is a look at the box they’re coming in. Here is that box:
Like any job, writing about the latest news in the world of entertainment can wear on you after long enough, so you gotta appreciate the little pearls of amusement where you can get them. Personally, watching the latest solo Batman project fall apart in slow motion has been a perverse thrill over the past couple of months: star Ben Affleck was gonna direct (maybe) the film titled The Batman, then he was definitely gonna direct it, then he backpedaled a little bit, then he requested that people stop asking him about it, then he face-planted onto the sidewalk with the costly flop Live By Night, and then look at that, he wasn’t taking the director’s chair after all. The indignities kept coming, as Warner Bros. ordered sweeping rewrites to this floundering project before landing Planet of the Apes remake maestro Matt Reeves to fill the directorial vacuum.
Just as the nation’s mushroom-takers have begun to hit up their connections in preparation for this May’s opening of the lush, psychedelic new amusement park Pandora — The World of AVATAR, yet another attraction has appeared on the horizon. At present, Star Wars superfans can immerse themselves in the fantasy universe with the series of films, novels, spin-off films, animated television programs, various board games, and Disneyland’s popular Star Tours ride. But some diehards demand more, a fuller and more transportive experience. And Disney CEO Bob Iger has some great news for them. (And less-great news for everyone else.)
Why is it that James Cameron’s updates about progress on his colossal plotted Avatarfranchise always kind of sound like threats?
In a brash nose-thumbing to the concept of economic bubbles, James Cameron went all in on his Avatar franchise gambit and decided to produce the next four films in the planned pentalogy concurrently...
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